How to Mix Large Scale Prints (without it looking like a hot mess!)

How to Mix Large Scale Prints (without it looking like a hot mess!)

Let's talk PATTERN!!!

We all have those fabrics in our stash. The show stoppers. Those prints that practically jumped off the shelves at the fabric store and into your cart!

They are large in scale, bold, and so pretty, you're a little nervous to cut into them!

What if if doesn't look good cut into tiny pieces?

What if it looks too wild paired with other prints? 

Now, in a previous post, I shared how you can use small, medium, and large-scale prints in your palettes to create a really balanced look.

Today, I want to share how you can include multiple large-scale prints in the same quilt to achieve a really interesting, patterned look!

Let's dive in!

Now, when we're playing with large-scale prints (like the 3 large scale prints shown in this photo), we want to strike a balance between a fun, patterned look, and a hot mess where the fabrics are all so attention-grabbing that they compete with one another. 

And your perfect balance will likely look different than mine or your other quilty friends. Some of us want A LOT of visual interest with pattern on pattern on pattern, while others prefer subtlety and like using pattern in small doses. Neither is right or wrong, it's all a matter of preference. 

For those of you who enjoy a more patterned look, but want to make sure the patterns aren't competing with one another, take a look at this palette I pulled together.

 

1. Start with a "Show-Stopper"

I started with the fabric on the left: big, beautiful, and colorful! Make sure it's a fabric that really lights you up.

 

2. Grab another "Show-Stopper" (or 2) with common colors

Then I found another large-scale print (the second one with what look like green beads) that had colors in common with the first. Now these are both large-scale, and thus attention-grabbing, but since they have colors in common, for me, it isn't too much.

Next I found that third large-scale print (the one in the middle), and again, chose one that had colors in common with the others, and added it to the mix. 

Notice that those 3 prints, while all being large-scale and "flow-y", they still are very different-looking prints. So there is enough contrast between them that the patterns won't start to run together, in my opinion. 

 

3. Fill in with Supporting Actors 

Now, to fill out this palette, I added in some small-scale, "blender" prints and a solid. This is the BEST way to help those show-stoppers to really stand out. Think of these as supporting actors, they help the others to really shine. 

Very often quilters will get stuck because they've chosen a few "show-stoppers", but feel like their pattern is missing something or too busy. The answer is fill out that palette with Supporting Actors: solids, textured solids, blenders, small-scale prints.

 

There you have it! Create a fun, patterned look without the patterns competing with one another. 

If you'd like to dive into color deeply, we have a full Color Curriculum in Meander that is GOOD. We'd love to have you join our creative community, click here to learn more!

Now, we'd love to hear from you: do you have some of those "show-stoppers" laying around that you haven't known how to use? Do you lean more to the wild/patterned side of the spectrum or the subtle/minimalist side? Leave a comment below and let us know!

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14 comments

More toward the subtle/minimalist side but I love those wild, bold prints..I have a few but was not sure how to use them…I love what you have done! It works great and I will have to experiment with mine now to come up with something that is good looking and then create something. Thanks for the lesson and inspiration!

Helen Bowie

Mostly minimally but just finishing up one that is more on wild side and love it!

Linda Smithson

Wild, definitely lean toward wild, unusual or just plain crazy. Thanks for the tips on using the big and bold. Excuse me, must go to my stash and touch a few things now. ;)

WendyVanLoo

Thank you I really appreciate the info. Will print and read a couple of time to sink in. Tks. again

ROSEMARY BATCHELOR

I’m actually a mixture at both, but not at the same time. When I first started quilting I chose colors which were loud & proud!! I loved them. Now, five years or so down the road I’m calming down a bit. Still love my bright colors but I guess my ‘supporting cast’ fabrics are more subdued. I have used u’r ideas quite a bit recently but still manage to get stumped every now and again. Maybe someone will ask the question similar to my problem. I’ve enjoyed the course. Keep up the hard work. Sad to hear you left good ole Austin.

Shirley

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